This dramatic adventure series tells the story of a group of teenagers who are separated from their families following an invasion of their country, a conflict they never saw coming.

The characters of the play do not know that tomorrow there will be a war, that many people have only a few days left to live. They enthusiastically fight with the teacher, fall in love, cry and laugh, have fun, fight, mischief and impudence, but they seem to be just children, although - the paradox of that time! - their souls mature and develop much faster than their bodies. And when their friend's father is arrested by slander or mistake, they are ready for the first trials, for the initial lessons of injustice and grief, mutual assistance and mutual understanding. The tragedy that happened in the classroom was a kind of test of readiness for tomorrow's sacrifices and tomorrow's exploits.

Ron, a successful poet from New York who has not seen his old friend Jake in five years. On the eve of Jake's wedding Ron shows up to be his best man and celebrate but Jake has other things on his mind like settling old scores and getting wasted.

The propaganda documentary about the readiness of the Red Army to repulse any enemy is based on documentary shots taken during the real maneuvers of the Red Army. Armadas of tanks, immense columns of infantry, dozens of fighters and bombers, thousands of cavalry, legendary divisions of the Civil War. The film glorifies Soviet military power and shows the Soviet people what the war will be like when the imperialists attack the USSR — quick, victorious, almost bloodless.

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During the latter days of WWII an American Lieutenant accidentally falls out of an airplane into German territory. He is taken in by a Baroness who becomes smitten with him and doesn't want him to leave, so she doesn't tell him that the war has ended...for five years!

正如大屠杀专家詹姆斯·布尔金（James Bulgin）在这篇冷静的历史挖掘文章中所记载的那样，纳粹从残忍的反犹主义演变为有组织的死亡集中营，其具体细节着实令人震惊。对党的教义的临时解读变成了一项既定政策……

Northern Ireland has had many historic days in the last 40 years. October 5th, 1968 could be the most important. In this documentary, many of those who took part in the Civil Rights march in Derry on this date talk of the international influences that drove them to take to the streets in protest. Featuring interviews with the voices of dissent in America, Europe and Northern Ireland.

Documentary looking at how war has been dramatised on British television from the Second World War through the Falklands campaign to contemporary conflicts in Iraq and Afghanistan, examining the challenges - both financial and dramatic - in bringing war to the small screen. Why have so many of our greatest TV writers been drawn to the subject, and why has so much of their work been controversial? Should writers always respect the historical facts, or can dramatic licence reveal the greater truth about war? And in a world of 24-hour news, can drama tell us anything about war we canʼt now see for ourselves? It also looks at the lighter side of war, and why it has inspired some of our most successful sitcoms. Is there something about army life that lends itself to comedy? Soldiers who have had their exploits dramatised for television - Colonel Tim Collins, played by Kenneth Branagh in Ten Days to War, and Robert Lawrence, played by Colin Firth in Tumbledown - talk about the experience. Other contributors include historians Antony Beevor and Max Hastings, and playwrights Alan Bleasdale (The Monocled Mutineer) and Ian Curteis (The Falklands Play). Ex-MI5 chief Stella Rimington considers television's coverage of the Cold War, and comedy writers Jimmy Perry (Dad's Army) and Greg McHugh (Gary Tank Commander) discuss the rules of the war-based sitcom.

In 1978, just after Le fond de l'Air Est Rouge, which mercilessly analyzed the previous ten years of the revolutionary left's momentum until its collapse, Chris Marker made this complementary piece entitled Quand le Siècle a Pris Forme (Guerre et Révolution).